Hazel Dooney
  "Above all, this female character is sexy and sassy. Combined with the glistening high-gloss paint, the curvy, suggestive figures seem to simultaneously exude coquettishness and disdain.   Perhaps this is a depiction of the two sides of sex: vulnerability and power. Then again, with their seamless perfection and super-real sensuality, perhaps these characters themselves are some-what of a poke at the beauty industry and its insistence on perfection."  – Luke Roberston  Robertson, Luke. "Subtle art form",  The Courier Mail , 03 October 1998 (p.13).

The Courier Mail 1998.10.03

  "Above all, this female character is sexy and sassy. Combined with the glistening high-gloss paint, the curvy, suggestive figures seem to simultaneously exude coquettishness and disdain.   Perhaps this is a depiction of the two sides of sex: vulnerability and power. Then again, with their seamless perfection and super-real sensuality, perhaps these characters themselves are some-what of a poke at the beauty industry and its insistence on perfection."  – Luke Roberston  Robertson, Luke. "Subtle art form",  The Courier Mail , 03 October 1998 (p.13).

"Above all, this female character is sexy and sassy. Combined with the glistening high-gloss paint, the curvy, suggestive figures seem to simultaneously exude coquettishness and disdain.

Perhaps this is a depiction of the two sides of sex: vulnerability and power. Then again, with their seamless perfection and super-real sensuality, perhaps these characters themselves are some-what of a poke at the beauty industry and its insistence on perfection."
– Luke Roberston

Robertson, Luke. "Subtle art form", The Courier Mail, 03 October 1998 (p.13).