Hazel Dooney
> 2013 TEN DICTA FOR YOUNG WOMEN WHO ARE ARTISTS
> 2012 KILL/JOY
> 2012 VENUS IN HELL REDUX
> 2011 THE FLESH EATERS
> 2011-2012 PORTRAITS
> 2010-2013 BIG PIN-UPS
> 2010 AMANDA PALMER ALBUM
> 2009 THE IF... STENCILS
> 2009 YES/NO STENCILS
> 2009 PRECIOUS BLOOD
> 2008-2012 DANGEROUS CAREER BABES
> 2008 COWBOY BABES
> 2007-2008 KELLY AND LIN
> 2006 VENUS IN HELL
> 2006 OTHER WORKS ON PAPER
> 2006 GRIFFITH REVIEW COVER
> 2005 STYLE SESSIONS NYC
> 2004 SELF VS SELF
> 2004 NATIONAL WORKS ON PAPER
> 2001 LAKE EYRE
> 2001 STRATEGIES FOR SURVIVAL
> 2001 TOO MUCH NEVER ENOUGH
> 2001 SLIGHTLY INDECENT
> 2001 READY SET GO!
> 2000-2012 SPORTS CAREER BABES
> 2000-2013 CAREER BABES
> 2000 FILM STILLS
> 2000 POLA AUTO-EROTICA
> 1999 ACCOUTREMENTS OF DESIRE
> 1999 OTHER WORKS
> 1998 ULTRA VIOLET ONE
> 1998 FASHION TARGETS BREAST CANCER
> 1998 OTHER WORKS
> 1997 STREET ART
> 1997 HAZED (FIRST EXHIBITION)
> 1996 EARLY PAINTING
> 1995 HOMOGENEOUS BABES
IF... (detail)
IF... (detail)
IF... (detail)

2009 THE IF... STENCILS

I wasn't born when Lindsay Anderson's disturbing and still influential film,
If..., was released in 1968 and launched a very young Malcolm McDowell
to stardom. I didn't get to see it for the first time until I was 30 – which
was probably a good thing because had I been any younger, its simmering
rage and final, nihilistic violence might have gained an even tighter grip on
my imagination.

If... was the first thing that came to mind when I thought about creating
a third in a series of limited edition stencils based on my earliest enamel
paintings.

The If... Stencils (Homage To Lindsay Anderson) are three editions of just
10 signed and numbered (on front) stencils – in funerary black, bone ash
grey and virginal white. Each image is 40cm x 65.5cm (or 15.7” x 25.8”),
hand-stencilled in high gloss enamel on 76cm x 100cm (or 29.9" x 39.4")
100% cotton, museum-quality, white Alpharag 4ply archival board.

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