Hazel Dooney
> 2013 TEN DICTA FOR YOUNG WOMEN WHO ARE ARTISTS
> 2012 KILL/JOY
> 2012 VENUS IN HELL REDUX
> 2011 THE FLESH EATERS
> 2011-2012 PORTRAITS
> 2010-2013 BIG PIN-UPS
> 2010 AMANDA PALMER ALBUM
> 2009 THE IF... STENCILS
> 2009 YES/NO STENCILS
> 2009 PRECIOUS BLOOD
> 2008-2012 DANGEROUS CAREER BABES
> 2008 COWBOY BABES
> 2007-2008 KELLY AND LIN
> 2006 VENUS IN HELL
> 2006 OTHER WORKS ON PAPER
> 2006 GRIFFITH REVIEW COVER
> 2005 STYLE SESSIONS NYC
> 2004 SELF VS SELF
> 2004 NATIONAL WORKS ON PAPER
> 2001 LAKE EYRE
> 2001 STRATEGIES FOR SURVIVAL
> 2001 TOO MUCH NEVER ENOUGH
> 2001 SLIGHTLY INDECENT
> 2001 READY SET GO!
> 2000-2012 SPORTS CAREER BABES
> 2000-2013 CAREER BABES
> 2000 FILM STILLS
> 2000 POLA AUTO-EROTICA
> 1999 ACCOUTREMENTS OF DESIRE
> 1999 OTHER WORKS
> 1998 ULTRA VIOLET ONE
> 1998 FASHION TARGETS BREAST CANCER
> 1998 OTHER WORKS
> 1997 STREET ART
> 1997 HAZED (FIRST EXHIBITION)
> 1996 EARLY PAINTING
> 1995 HOMOGENEOUS BABES
Untitled (detail)
Untitled (detail)
Untitled (detail)
 
Untitled (detail)
Untitled (detail)
Untitled (detail)
 
Untitled (detail)
Untitled (detail)
Untitled (detail)
 
Untitled (detail)
Untitled (detail)
Untitled (detail)

2000 POLA AUTO-EROTICA

My first experiments with photography were alone. I would pose for the
camera, a clunky plastic Polaroid – just myself, in close-up, copying the
facial expressions of old movie stars and '50s fashion models. It became
almost fetishistic, a form of role-playing that, at times, was erotically
stimulating. Over the years, I amassed scores of these self-portraits and in
2006, I exhibited a few of them as multiples sharing a single frame as part
of my exhibition of works on paper, Venus In Hell.

CONTACT