Hazel Dooney
> 2013 TEN DICTA FOR YOUNG WOMEN WHO ARE ARTISTS
> 2012 KILL/JOY
> 2012 VENUS IN HELL REDUX
> 2011 THE FLESH EATERS
> 2011-2012 PORTRAITS
> 2010-2013 BIG PIN-UPS
> 2010 AMANDA PALMER ALBUM
> 2009 THE IF... STENCILS
> 2009 YES/NO STENCILS
> 2009 PRECIOUS BLOOD
> 2008-2012 DANGEROUS CAREER BABES
> 2008 COWBOY BABES
> 2007-2008 KELLY AND LIN
> 2006 VENUS IN HELL
> 2006 OTHER WORKS ON PAPER
> 2006 GRIFFITH REVIEW COVER
> 2005 STYLE SESSIONS NYC
> 2004 SELF VS SELF
> 2004 NATIONAL WORKS ON PAPER
> 2001-2005 LAKE EYRE
> 2001 STRATEGIES FOR SURVIVAL
> 2001 TOO MUCH NEVER ENOUGH
> 2001 SLIGHTLY INDECENT
> 2001 READY SET GO!
> 2000-2012 SPORTS CAREER BABES
> 2000-2014 CAREER BABES
> 2000 FILM STILLS
> 2000 POLA AUTO-EROTICA
> 1999 ACCOUTREMENTS OF DESIRE
> 1999 OTHER WORKS
> 1998 ULTRA VIOLET ONE
> 1998 FASHION TARGETS BREAST CANCER
> 1998 OTHER WORKS
> 1997 STREET ART
> 1997 HAZED (FIRST EXHIBITION)
> 1996 EARLY PAINTING
> 1995 HOMOGENEOUS BABES
Accoutrements of Desire: G-spot (detail)
Accoutrements of Desire: Cock (detail)
Accoutrements of Desire: Restraint
 
Accoutrements of Desire: Reveal, Conceal
Accoutrements of Desire: Valentine
Accoutrements of Desire: Lotus Shoe (detail)
 
Accoutrements of Desire: The Red Shoes
 

1999 ACCOUTREMENTS OF DESIRE

If there is a consistent flaw in my early work, it is that I hadn't yet
committed to the elemental conceptuality of the work. I was fighting
it, to-ing and fro-ing between thinking of myself as a traditional painter
– committed to subjective, self-expressive, well-crafted representational
work – and something a lot less easily defined, a multi-disciplinary
provocateur for whom painting was just one of several means to an end.
And the end is getting people to think beyond the work in front of them,
beyond the alluring material of their hyper-mediated consumerist culture,
and recognise what they've lost of themselves.

- from Hazel Dooney's blog, Self Vs. Self.

CONTACT